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The Daisy is the perfect microphone when an engineer is seeking that larger than life vocal from a male or female singer. The microphone offers a great deal in the way of headroom and thus allows the vocalist to truly work the microphone without fear of prematurely over-driving the amplification stages. 

This even-keeled response to signal also makes the Daisy a strong candidate for drum overheads when the engineer needs clear transient response and yet a classy tone. 

The Daisy also fares exceptionally well on guitar cabinets, in particular for funk and jazz styles, but the Daisy is definitely not afraid of capturing heavier and louder tones in high gain environments either.
The Daisy is the perfect microphone when an engineer is seeking that larger than life vocal from a male or female singer. The microphone offers a great deal in the way of headroom and thus allows the vocalist to truly work the microphone without fear of prematurely over driving the amplification stages. 

This even-keeled response to signal also makes the Daisy a strong candidate for drum overheads when the engineer needs clear transient response and yet a classy tone. 

The Daisy also fares exceptionally well on guitar cabinets, in particular for funk and jazz styles, but the Daisy is definitely not afraid of capturing heavier and louder tones in high gain environments either.